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The Bands

Previous Line Ups

Reverend Shawn Amos

http://www.shawnamos.com/

The Reverend Shawn Amos is a Los Angeles-based, chart-topping bluesman ready to turn any venue into a 1960's Chicago blues club. His foot stomping, harp-wailing performances. like tent revivals of yore, energize the faithful, and convert the wayward to the Rev's message of booty-shakin', deeply joyful blues.

The Mark May Band

http://www.markmay.com/

Release My Soul, the 5th cd from Mark May (former guitarist and vocalist for Dickey Betts and Great Southern), is jam-packed with traditional blues, blues-rock and soulful ballads. Perfecting his craft playing rough and tumble biker bars and blues clubs in Houston, Texas for over 20 years, Mark recently returned to his hometown, Columbus, Ohio, where he performed in nightclubs before his 15th birthday. His astonishing live shows featuring dynamic twin leads and dual harmony guitar work are the perfect complement to Mark’s smooth vocals.

The GhostTown Blues Band

http://www.ghosttownbluesband.com/

Beale Street’s latest success story, 4-time 2016 Independent Blues Award Nominee, BBMA 2015 Nominee for “Best Blues Band” and 2014 International Blues Challenge Runner-up is Ghost Town Blues Band. Not your grandpa’s blues band, their live show has been captivating audiences in the U.S. and Canada with a second-line horn entrance, cigar box guitars and electric push brooms to Allman Brothers style jams and even a hip-hop trombone player.

Russell Smith & The Amazing Rhythm Aces

https://www.facebook.com/The-Amazing-Rhythm-Aces-145892981003/?fref=ts

Thirty years ago in a Memphis recording studio The Amazing Rhythm Aces™ made their first album, "Stacked Deck". It was simply American music - a mixed bag of influences that had drawn them together. Fans didn't seem to care about labels, either. For more than two decades, songs like "Third Rate Romance", "Amazing Grace (Used To Be Her Favorite Song)" and the Grammy-winning "The End Is Not In Sight" would remain etched in the hearts and minds of a generation as benchmarks of popular music's better days.